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Instead, a menu would appear asking you what to do? If you drag and drop any file/folder to any other folder, it won’t be moved there automatically. In their defense, there’s an option to open the folder in the terminal, but only in the “Tool” menu in the upper menu of the file manager, not in the context menu: There’s one to open the selected folder in terminal, so they expect you to go back up by a level, and then open the folder in the terminal using that menu, and then go back to the folder again: The issue you would notice in the file manager is that there’s no context-menu item to open the current folder in the terminal: I open the file manager, and it is displayed in this layout for me by default, there’s no attention to details or even basic UX in LXQt: It looks like the developers’ solution to this problem was only by expecting users to create a new quick launch area, and then dragging the wanted icons for each area:Īt this point I was wondering whether all of this is real or not? You literally can’t add icons to the panel: And it is such an transition when you do so:ĭo you wonder why we opened the panel configuration window? Because we wanted to figure out how to add some damn launchers to the panel, but we discovered that this is an impossible task in LXQt. If you open the panel configuration window, you’ll see that you can not resize it vertically, only horizontally. While any other sane desktop environment would display both of them in the same indicator so that it doesn’t create a visual pollution on the panel: Notice how there are two battery icons on the panel, each representing a different battery in my laptop. LXQt does not automatically remove the old shortcut if it uses the same key of the new shortcut, instead, it keeps both of them and expects you to choose the behavior you want to run when you hit the key: The same issue of brightness management on laptops in Lubuntu 19.04 is still there in 20.04 You can not adjust brightness from any widget on the panel, you have to open a separate window for brightness adjustment and keep that damn window open all the time so that you can change brightness in different periods of the day (A reminder that using keyboard shortcuts does not give you the desired brightness level in LXQt):Īlso, the same keyboard shortcuts issue is still there You create a new shortcut, only to discover that it doesn’t work. LXQt is still a horrible desktop environment, despite the fact that it has been around for years now. Is there a sector specific reaction from the distilled sentiment measures? We find that there is significant incremental information in the distilled news flow and the sentiment effect is characterized as an asymmetric, attention-specific, and sector-specific response of stock reactions.This is the default Lubuntu 20.04 desktop: Are the news of high attention firms diffusing faster and result in more timely and efficient stock reaction? 4. To which degree is there an asymmetric response given the sentiment scales (positive v.s. Are the lexica consistent in their analytic ability? 2. Exploiting different lexical projections to test different stock reaction indicators we aim at answering the following research questions: 1. Based on review articles on 100 S&P 500 constituents for the period of October 20, 2009, to October 13, 2014, we project into BL, MPQA, LM lexica and use the distilled sentiment variables to forecast individual stock indicators in a panel context. This influence is contingent on the lexical projection and different across Global Industry Classification Standard (GICS) sectors. An increased sentiment, especially for those with negative prospection, will influence volatility as well as volume. These are employed for an analysis of stock reactions: volatility, volume, and returns. Using mixed text sources from professional platforms, blog fora, and stock message boards, we distill via different lexica sentiment variables. It also creates though the necessity to distill via statistical technology the informative elements of this prodigious and indeed colossal data source. The gargantuan plethora of opinions, facts, and tweets on financial business offers the opportunity to test and analyze the influence of such text sources on future directions of stocks. In preparation for the film, the Coens said they "asked the actors to embrace their inner knucklehead." Joel Coen elaborated: “The story is about middle-aged people, all of whom are undergoing professional, personal, and sexual crises touching on matters of national security. THE COENS ASKED THE ACTORS TO EMBRACE THEIR "INNER KNUCKLEHEADS." I was reminded of Edna Krabappel’s, from The Simpsons.” 8. "Straight, not a wisp of a curl, and a heart-stopping shade of iron-red, if there is such a natural color-which I doubt. "Katie has a very rigid hairdo," Swinton said. Tilda Swinton's character also had a look that was rather familiar. McDormand's bob wasn't the movie's only statement hairdo. TILDA SWINTON THOUGHT THAT SHE LOOKED LIKE A SIMPSONS CHARACTER. It was modeled on Clinton/Lewinsky sex scandal whistleblower Linda Tripp-or, more specifically, Tripp's post-makeover hair after she helped usher the scandal into the spotlight. FRANCES MCDORMAND'S CHARACTER'S BOB HAIRDO HAD POLITICAL ROOTS. His first win came in 2014 for Alfonso Cuarón's Gravity he won the next two years as well, for Birdman or (The Unexpected Virtue of Ignorance) in 2015 and The Revenant in 2016 (both of those for Alejandro G. In the years since, Lubezki has been nominated for an additional four Oscars and won three of them. “Chivo spent a lot of time in New York City for pre-production, and we were able to go to places together and figure out where he would need to hide lights, where I would have to put in something architectural, and so on," production designer Jess Gonchor said. Instead, they tapped then-four-time Oscar nominee Emmanuel "Chivo" Lubezki as their director of photography for the project. THE FILM MARKED THE FIRST TIME IN NEARLY 20 YEARS THAT THE COENS DIDN'T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.īurn After Reading is one of the few films the Coens haven't shot with their longtime cinematographer Roger Deakins, who had already committed to working with Sam Mendes on Revolutionary Road. "So we wrote John’s part specifically for him, which was a lot of fun to do.” 5. “Like Brad, John Malkovich is someone we hadn’t worked with before but have wanted to for some time," Joel Coen said. THE ROLE OF OSBORNE COX WAS WRITTEN SPECIFICALLY FOR JOHN MALKOVICH.Įven though they had never worked with Malkovich before, the Coens wrote the lead role with the two-time Oscar nominee in mind. "We thought about a mix of characters, and a story, that might be interesting to see these actors play." 4. “We came up with the idea thinking about different parts we wanted to write for actors that we know-who we thought might be fun to throw together George Clooney, Richard Jenkins, Frances McDormand, and Brad Pitt, each of whom we know and all of whom we have worked with before, except for Brad," Ethan Coen said. THEY PUT THE ACTORS AHEAD OF THE STORY.īurn After Reading features many of the Coens' usual players, and in some ways they were thinking about the actors they wanted to work with-and what sort of situations they could put them in-before the finer details of the story itself. No Country for Old Men would go on to earn them Oscars for Best Adapted Screenplay, Best Director, and Best Picture in 2008. "We actually wrote this script around the same time we were adapting No Country for Old Men," Joel Coen said. While the Coens' standard practice is to work on one project at a time, they made an exception with Burn After Reading. THE COENS WROTE THE SCREENPLAY FOR BURN AFTER READING AT THE SAME TIME THEY WERE WRITING NO COUNTRY FOR OLD MEN. The Coens wrote the role of Pfarrer specifically for him. Clooney also starred in 2000’s O Brother Where Art Thou? and 2003’s Intolerable Cruelty. The film marked Clooney's third collaboration with the Coens. In Burn After Reading, George Clooney plays married federal marshal Harry Pfarrer, who's having an affair with Katie Cox (Tilda Swinton), the wife of CIA analyst Osborne Cox (John Malkovich). Poachers shot and skinned her, and cut off her feet and hands as trophies. As often happens when aging chimps outlive their usefulness as study subjects or become hard to handle as pets, her owners sent Lucy to a chimp rehab center in Africa. She greeted her human teacher every morning with a big hug and two cups of tea she made herself at the stove.īut acting "almost human" didn't protect Lucy as legal rights might have, says Wise. Smart and personable, Lucy learned American Sign Language. "Both my son Christopher and your average adult chimpanzee obviously meet any minimum rational standard for entitlement to basic legal rights."Ĭonsider Lucy, a 6-year-old chimpanzee legally kept as a pet and test subject. "Chimps have 98.7 percent of DNA in common with humans," says Wise. And they can communicate in sign language at the level of a 3- or 4-year-old child. Research by Harvard anthropologist Richard Wrangham, among others, has shown that, even in the wild, they demonstrate an idea of the future and remember the past. Some talking points: Chimps have complex social interactions. "Certain species are capable of complex emotions, can communicate using language, and have a sense of self," says Wise, "all characteristics that once defined humanity." If some species of "nonhuman animals" can be shown to be smarter, more aware, more humanlike than previously recognized, they arguably deserve legal rights, he says. In lawyerly fashion, Wise has buttressed his case with science's latest discoveries about animal cognition and behavior, most of it universally accepted, some controversial. Some think the case he's taking nationwide may become one of the groundbreaking civil rights battles of the next generation. Now he is the latest luminary of an animal rights movement better known for starlets posing naked to protest furs than for lawyers arguing science. He's a professional at drawing hard lines. Pallid, wearing a dark suit and a loosened tie, Wise looks Establishment. They came to hear Wise make his controversial case for extending legal rights to some animals, the argument he lays out in his new book, "Drawing the Line: Science and the Case for Animal Rights." "I don't see a difference between a chimpanzee," he states unequivocally, "and my 4 1/2-year-old son."Īt Politics and Prose bookstore this warm Friday evening last month, it's a coffeehouse-activist audience of about 40 that's versed in animal rights rhetoric. It also adds a few new features, such as support for major webmail programs (Gmail, Yahoo Mail, etc.). The latest version of the product brings improved accuracy and speed to an already-excellent piece of software.
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